Adapting its title and theme from Thomas De Quincey’s murder text, this long-overdue return to narrative cinema by the great British filmmaker Peter Whitehead is based around a mesmerizing psycho-geographical exploration of modern day Vienna. The film incorporates a record of the subversive underbelly of the city into a poetic meditation on conspiracy theory, ecoterrorism, time and cinema, retracing the story of The Third Man. Adapted from a trilogy of Whitehead’s own Nohzone novels, the objective and subjective becomes blurred as the film director merges with the fictional detective in a journey into the murky activities of covert counter-insurgency groups. Kaleidoscopic in intent, the film mixes Noh theatre, Victorian novels, Vienna after the war, opium, domain names and Jacob’s ladder “pitched twixt Heaven and Charring Cross”.

Extraordinary behind-the-scenes access reveals a drug company’s fevered race to develop the first FDA-approved Viagra for women – and offers a humorous but sobering look inside the cash-fueled pharmaceutical industry.

An anti-war film about the personal suffering behind the hard statistics, which show that more than four million Vietnamese died during the Vietnam War, as opposed to 58,000 Americans. We hear South and North Vietnamese, including émigrés to the United States, describing how huge numbers of friends met their deaths, caught as they were between government forces, the Vietcong, and the Americans; how political boundaries divided not only the country, but also families; how mothers deserted their children because their fathers were American soldiers; and how the war cruelly lingers on long after hostilities ceased, in the lives of children born crippled by chemical weapons.