Jorge and Enrique are two artist in the post Spanish Civil War times that adopt an orphan child called Miguel. With a varieté company that travel around the country, Jorge and Enrique see the horrors left by the war meanwhile the Republic Army watch Jorge and the rest of the company suspecting that some of them collaborate with the rebels opposite to the Francoist Regime.

After a phone call ends in despair, a young woman faces a fatal decision.

A group of actors retire to an island in Tigre to rehearse William Shakespeare’s As You Like It. Just before they start, Luisa, who is playing Rosalind, makes a bad decision – to terminate her relationship via mobile phone. Torn between her work and her personal preoccupations, in something of a daze, Luisa goes from wardrobe tests to dialogue review and a rehearsal that confirms Rosalind as the object of desire for the entire cast: Celia, Orlando, Febe. When rehearsals are over, there is a barbeque, and Luisa finds her fellow actors planning a day in the country with their partners. This offers her a chance to overcome her loneliness, though she still harbours hopes of a phone call. –Locarno Film Festival Matías Piñeiro’s Rosalinda, an original meditation on Shakespeare’s As You Like It, is a rich and enjoyable work that sustains a brisk comic tempo in a mellow, sunlit atmosphere