For over a century, Carnegie Hall rented affordable studio apartments atop the famous music hall to artistic tenants such as Marlon Brando, Paddy Chayefsky and Isadora Duncan. As a privileged tenant, director Josef Birdman Astor began to videotape his neighbors whose lives intersected with decades of artistic history, but his project changed when the landlord served everyone with eviction notices for a conversion to offices. Astor chronicles the protracted battle to save the apartments and pays homage to their rich heritage.

Tino Ponce operates Circo Mexico, which journeys across the Mexican countryside in search of paying customers. Wanting to please his father and continue the family business, Ponce has recruited his young children as performers while laboring night and day to maintain the circus’s faltering financial fortunes. But a growing resentment brewing within his wife about their hardscrabble existence suggests troubles on the horizon. While documenting the brutal regimen of circus life, Circo also peels back the curtain on the Ponce family’s inner dynamics, revealing generational divides and money worries that threaten to tear apart a marriage. Buttressed by indie-rock band Calexico’s evocative score, Schock’s film observes this family drama with a sympathetic but clear-eyed view of a vanishing way of life. And because Circo refuses to be sentimental in its handling of the material, the story’s twists become all the more poignant

This short documentary suggests a direct connection between two of Nixon’s greatest triumphs as president: his landmark 1969 “Silent Majority” speech (in which he argued that street protesters did not represent the views of most Americans, despite their increasing visibility) and his historic landslide re-election in 1972 (in which George S. McGovern won only one state and the District of Columbia, losing even his home state of South Dakota).