A film about Peter Gatien, the owner of legendary New York nightclubs like Limelight, The Tunnel and the Palladium. The film documents his rise and fall from the 1980s through the 1990s.

In the 90s Bulgaria joined the Eastern Bloc’s race for freedom. But as thousands flooded the streets calling for democracy the shadows were giving birth to criminal enterprise. And before anyone could realise, the criminals had taken over the new ‘democratic’ society. The street gangs dominated, a steel hand of fear was forced on the population. And freedom had come to Bulgaria! They quietly privatised everything in their own interests.

Fatherland brings a rigorous structural approach to a site of monuments that is also a place of movement, criss-crossed daily by tourists and locals. The grounds are laid out like city blocks, with wide avenues branching onto laneways filled with elaborate mausoleums. The film does not attempt to tour the cemetery as one would on foot, however, but rather moves chronologically through the history enshrined there. A series of individuals are framed in static compositions as they read aloud excerpts from the writings of noteworthy Argentines interred within. (Some license has been taken, as the final resting places of certain figures represented – such as journalist Rodolfo Walsh, who was among the “disappeared” – remain unknown. The result is both poetic and political.) Beginning in the early 1800s, this history comprises civil war, battles with the country’s native population, the conflict between the city and the provinces, and years of military dictatorship.